vul3jp6
29 October 2007
  with no hesitation, a book for me (in this winter) to rethink about time,,,
Daniel BirnbaumChronology

With a Special Project by Paul Chan
 
28 October 2007
  so, trying to explain myth? >"<
rather then i would sit in the fire place and listen to tales (real myth;')) but now on seit 39, every sentences are incisively for a perfect parabola..
clipped from www.vdg-weimar.de
Cover
 
  ,,, books
strange behaviors i have lately, again to read alot since i have a b/w laser printer, starting to print out online paper to read, on bus, on trains, at cafe, at festival, i am reading most of time, on net, offline~ but, i can't remember anything i read precisely, am i wasting knowledge? or has no pure knowledgeable coexisting that i am so hungry? specific theme cost 55 pond?!,~
clipped from www.springer.com
1846285992

Evolutionary Computer Music



Miranda, Eduardo Reck; Biles, John Al (Eds.)

2007, XIV, 259 p. With CD-ROM., Softcover
ISBN: 978-1-84628-599-8



 
20 October 2007
 


6●
『淅瀝嘩啦,兔跳,豆腐腦,西瓜肚。』老大這麼走唱著,推開家門。

"sisilili, hawhawlala, rabbit jumps, brain tofu, belly of water mellon." boss is sining while walking, and open the house door.

Labels:

 
11 October 2007
  recent listening, of thier borrowed atmosphere~
clipped from www.fieldmuzick.net
Field Muzick - label for experimental music and field recordings. Artists are Sebastien Roux, dronaement, infant cycle and many more.

Giesela - rot (5 tracks, 28:21) &&
marcus obst - trafic tonalité (1 track, 21:44)
frank rowenta - klänge siziliens (6 tracks, 19:34)

@ last.fm
 
05 October 2007
  :
Pure Data (http://www.puredata.org/) as a feminist tool for meaningful learning

by elpueblodechina a.k.a. Alejandra Perez Nunez

http://artengine.ca/~catalogue-pd/10-Nunez.pdf
clipped from ljudmila.org

The nature of patching together with the need to understand the processes that are involved in sound processing that is offered by Pure Data is an example of a method where learning develops as a network of relations. It triggers dynamic systems of understanding instead of static contents that you have to learn through official instructional models like learning to use the interface of a software tool. These can be said of other programming environments as well but I understand Pure Data as a software and as a community of people sharing roles in learning and educating. I would like to propose that Pure Data is a tool for feminist education since it propagates a receptive model, one that is different from a paranoid model that relates to controlling a piece of given software. I see appropriation, networks of relations, the power of integration as a feminine way -not meaning a woman way- but a receptive, symbiotic action that may empower learning environments for the oppressed.
 
  : :

This paper addresses interactive art within the context of participatory culture, mapping current developments towards more open and creative forms of interactivity labelled ‘open interactions’. The size of the elements within an artwork, the ‘interactive granularity’, is stated as key to the creation of open interactions. The metaphor of conversation is used to explore interactivity and suggest future research/practice directions. It is suggested that the potential for interactivity to propagate further creativity relies heavily on the balance of specification for both interactor and system. Furthermore it is stated that truly conversational interactions are inherently open-ended and can result in both positive and negative outcomes by whatever standard.
 
ARCHIVES
June 2003 / July 2003 / August 2003 / September 2003 / October 2003 / June 2004 / July 2004 / September 2004 / December 2004 / January 2005 / February 2005 / May 2005 / September 2005 / October 2005 / December 2005 / January 2006 / February 2006 / March 2006 / April 2006 / May 2006 / September 2006 / October 2006 / November 2006 / February 2007 / June 2007 / July 2007 / September 2007 / October 2007 / November 2007 / January 2008 / March 2008 / May 2008 / August 2008 / September 2008 / November 2008 / December 2008 / June 2009 / July 2009 / August 2009 / September 2009 / October 2009 / April 2010 / September 2010 / October 2010 / November 2010 / December 2010 / March 2011 / June 2011 / December 2011 /

台灣環境資訊中心
Eco Garden
World Soundscape Project
樂生文學周末
地景保育
dimension plus
吃線的人
ilyagram
pink tentacle
FLOSS Manual
Digital Artists Handbook
IMA.AT
optofonica
sound field and sound-image related... among of those recreations, or projects, please detour to www.little-object.com