vul3jp6
7● 熟夏,天宮暴裂
/ broiling summer, place for recreation cracked.
Labels: tale
我懂了!
「生物多樣性公約」(The Convention on Biological Diversity, CBD)
由於體認到人類生存基本條件「自然界必須維持多樣化的生態體系、基因及物種」之重要性,且有別於華盛頓公約對少數瀕臨危機物種之關注,150個國家代表於 1992年6月5日在巴西里約「地球高峰會議」共同簽署「生物多樣性公約」(The Convention on Biological Diversity,簡稱CBD),將保護地球生物資源的範圍擴及至整個生態體系以及基因部分;1993年12月29日「生物多樣性公約」已正式生效。截至目前為止,共計有188個國家同意批准「生物多樣性公約」。
公約主要目的在推動並落實(1)保育生物多樣性;(2)永續利用其組成;(3)公平合理分享由於生物多樣性遺傳資源所產生的利益等三大目標。締約國大會(Meetings of the Conference of the Parties, 簡稱COP)為其最高決策機構,一切有關履行「生物多樣性公約」之重大決議都必須交由締約國大會來決定,目前一共召開過七次締約國大會,第八次締約國大會預計將於2006年5月8-19日在巴西舉行。
這個
美麗事件的背後;方便了 genetic engineering (GE) & genetically modified organisms (GMO) 在市場上的流通與研究。但有多少人意識到,生態體系的改變與生存條件能一起保存下來嘛?醒醒吧! 該絕種的就讓它們絕種吧!!
Labels: anger
友人送的畫 / a roll picture gifted of a friend
CURATING IMMATERIALITY: THE WORK OF THE CURATOR IN THE AGE OF NETWORK SYSTEMS
this book seems to give good insight for my doubts. Since i had many dinner discussions with all kind of "sound artist, new media artist, also net artist", often a common solution is blurred for integrating their practice to art space, or exhibiting space, the situation alike, if any art piece is out of the general capability of white cube, the coordinator and curator would not pay appreciation to the movement of immaterial labor, of course, it is also for artist to rethink the approach of interface design in physical world.. its good to forget about the form of "screen" sometimes...this book has a "very" interesting collective aspects ;')
["noisy" sound, consisting of a complex sound spanning many frequencies... ]
[quoted from page 5 ..] here addressed beautiful studies of sonagram of bird singing
with no hesitation, a book for me (in this winter) to rethink about time,,,
Daniel BirnbaumChronology
With a Special Project by Paul Chan |
so, trying to explain myth? >"<
rather then i would sit in the fire place and listen to tales (real myth;')) but now on seit 39, every sentences are incisively for a perfect parabola..
,,, books
strange behaviors i have lately, again to read alot since i have a b/w laser printer, starting to print out online paper to read, on bus, on trains, at cafe, at festival, i am reading most of time, on net, offline~ but, i can't remember anything i read precisely, am i wasting knowledge? or has no pure knowledgeable coexisting that i am so hungry? specific theme cost 55 pond?!,~
| Evolutionary Computer Music
Miranda, Eduardo Reck; Biles, John Al (Eds.)
2007, XIV, 259 p. With CD-ROM., Softcover
ISBN: 978-1-84628-599-8
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6●『淅瀝嘩啦,兔跳,豆腐腦,西瓜肚。』老大這麼走唱著,推開家門。
"sisilili, hawhawlala, rabbit jumps, brain tofu, belly of water mellon." boss is sining while walking, and open the house door.Labels: tale
:
Pure Data (
http://www.puredata.org/) as a feminist tool for meaningful learning
by elpueblodechina a.k.a. Alejandra Perez Nunez
http://artengine.ca/~catalogue-pd/10-Nunez.pdf The nature of patching together with the need to understand the processes that are involved in sound processing that is offered by Pure Data is an example of a method where learning develops as a network of relations. It triggers dynamic systems of understanding instead of static contents that you have to learn through official instructional models like learning to use the interface of a software tool. These can be said of other programming environments as well but I understand Pure Data as a software and as a community of people sharing roles in learning and educating. I would like to propose that Pure Data is a tool for feminist education since it propagates a receptive model, one that is different from a paranoid model that relates to controlling a piece of given software. I see appropriation, networks of relations, the power of integration as a feminine way -not meaning a woman way- but a receptive, symbiotic action that may empower learning environments for the oppressed.
|
: :
This paper addresses interactive art within the context of participatory culture, mapping current developments towards more open and creative forms of interactivity labelled ‘open interactions’. The size of the elements within an artwork, the ‘interactive granularity’, is stated as key to the creation of open interactions. The metaphor of conversation is used to explore interactivity and suggest future research/practice directions. It is suggested that the potential for interactivity to propagate further creativity relies heavily on the balance of specification for both interactor and system. Furthermore it is stated that truly conversational interactions are inherently open-ended and can result in both positive and negative outcomes by whatever standard.

5 ●
strings from Dr.Kismo on post
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according to
tautology (cheating is possible, not totalitarian : Luc Ferrari)
rule 1. object, silent, duration,
rule 2. random superimposition of cycle
rule 3. free to react to (or transform) the new pattern of meets during pointless repetition (not set of variation)
Labels: tale

4●
我們住在被公路包圍的家, /
we lived in a house surrounded by highway
Labels: tale
2007.06.24
13h .
palix and eva (64) introduced
"moondog"& walked alone canal near inner north of city, tried to sleep on gass ground and rain drops, ran to eat hair noodles, saw film "i don't want to sleep along"
2007,06.25
11h. read & listening about
"moondog / Louis Hardin" &
"piece of cropper" (yunnan new folk)
20h. "Heri Chopin / ORATORIO DE COPERNIC AND CO" @ La Guillotine
22h. Kasper T Toeplitz & Zbigniew Karkowski @ Les Voutes
Labels: inserted reality

3●
並在家裡停放著海龜
and park turtle(s) at home
Labels: tale

2●
村民們的寵物是有著千眼, 綠色尾巴的紅老鼠
villagers all have a kind of pet, red rat with green tail and thousand eyes
Labels: tale

1●
曾經有個叫 "美麗城" 的地方
once upon a time, there is a place called "belleville"
Labels: tale