vul3jp6

He is .....

2011-12-22T18:06:00.002+01:00

nice composition of sound art, objects and video by Eric Vernhes

a journey on foot

2011-12-19T12:16:00.002+01:00

2011-12-19T10:27:00.000+01:00

人們樂於享受字句間過多空泛的迴旋與重複意義，不同於音樂疊起來的力量，你我易陷於過程中的流沙而沈溺。

Kart 01

2011-06-12T22:34:00.005+02:00

Add caption

邱坤良：橘化為枳

2011-06-12T15:00:00.000+02:00

原文出處：http://udn.com/NEWS/OPINION/OPI4/6392155.shtml

節錄：
現在的台灣人思想觀念遠比早前開明，但面對文化事務，普遍還是講求簡單而有明白答案，可以看、可以摸、可以拿的「物件」。談文化問題也先確定其形狀、顏色，再據以旁徵博引。其實文化的本質有如海水，不單是藍色，也不單是黑色、土色或綠色，而是多層次而又混合的顏色。
放眼台灣當今藝術、文化界，最聰明的人才不是從事藝術創作，就是經營藝文團體，公家單位也常需借重他們的經驗與能力。有些藝文人士願意在公部門、學校專職，才能安心創作或經營事業，這是台灣特別的生態環境，與企業界、工程界至少表面嚴守分際的情形大不相同，是好是壞，很難一概而論。有私人事業的藝文人士被力邀在公部門、學校服務，捨私從公，開創新局，受人尊重者有之；但汲汲營營，呼群保義，公私不分者亦非絕無僅有。
文化問題何者重要，何者不重要，常屬主觀價值判斷。「有力者」認為重要，或上層交辦，疾疾如律令，奔走遊說，視為個人的志業，而在折衝過程政治化處理，「文化」往往愈變愈複雜。相反地，當事人沒有興趣的議題，像打太極拳般，化解於無形。既不多作無謂的討論，也不必一口回絕，交給研發單位研發即可。文化事務確實需要一套制度，也要有明確的政策與方向，多元開放的台灣並非欠缺文化政策、理念，也不短少文化行政幹才，「人」的問題才是最大的變數。歷來與文化相關的爭議點，多不在政策與制度層面，而出於人為因素。

Brian Dettmer - New Books of Knowledge

2011-03-21T11:42:00.002+01:00

2010-12-06T22:30:00.000+01:00

yes, what I am after is a form of concentration that suddenly turns into its opposite, being available for a true alternative adventure. - Suzanne Pagé

Powerful Violent from BlackMailer

2010-11-17T13:37:00.000+01:00

A Rediscovery from Continuity to Infinity ~ what a beauty

2010-10-27T22:07:00.005+02:00

池田亮司　Ryoji Ikeda
November 11 - December 25, 2010

Reception: November 11, 18:00 - 20:00, http://www.gallerykoyanagi.com

Dirary, arriving Gothenburg

2010-09-05T23:02:00.003+02:00

02.09.2010
school day-off, I moved in the fair-tale house with a orange suitcase... went shopping right afterwards

01.09.2010
social event, two glass of red wine on the street, visited olostrops, pure nature, and lovly Takeo, I decided to take the room in no second even tho it would take 15 mins uphill walk every day when I get off bus from town.

31.08.2010
Clear up our atelier space, g~

30.08.2010
welcoming c:art, endless doors and locks at the mesh, totally baroque and its stairs, i chk another room at a post-industrial area of plastic community, very boring place, the perfume in the room kept me away. Good that I have an address of fairy-tale house reserved.

29.08.2010
leaving the rain at Weeze, sit for an hour on the craft, captain announced weeze forgot to refill the gas or half empty of supply that obviously we had to wait.... sunrise, arriving Gothenburg, everything fresh, the air contained better moisture than continental climate. Fields of grassground, simple red hats, horses, sheeps.... oki, since the flight has delayed, its now not too early to do everything, tain, 7-11, pass, I checked my luggages, head off seeing the first shared room, rock'n'roll concrete worker and a17yrs boy asked if i play golf, nice people, but i found for sure, there is nothing in common we can shared. This is sunday, and I needed a good sleep.

2010-04-26T15:50:00.003+02:00

用了兩年多的數位相機被扒走後，似乎又有必要記錄生活過程，所見所聞，找到了提筆寫字的正當性，不然，我是很健忘的。

25.APRIL.2010 Laufenburg
十二世紀依著萊茵河的小村，橋這頭有廢棄的瑞士海關，錠藍色的牆，乾淨美好的陽台，這頭正在修橋面，走到中間約1公尺寬的 no where 區，不屬於瑞士，也不屬於德國，佇立一尊捧著迷你耶合華釘在十字的修者，衣著華麗，披著厚重的羊毛披肩。我輕鬆的跨過瑞士整修的橋面，到了德國的碎石橋面，河邊伴著引水道的瀑布聲，幾間熱鬧的餐廳，希臘菜，中菜，冰淇淋咖啡店的招牌全都用著中古世紀的 typo，寫著北京，雅典，咖啡，炸小捲與米飯蔬菜。大鳥弦著一顆星星站立於瀑布的頂端，石上的紀念碑寫著“勉懷死於戰爭的勇士們” 1914 - 18 ... "1939 - 46" 這一定是後來才加上，完全不同的字體，希望不會再加下去。

Andalucia -- 27 April - 6 May --

2010-04-07T14:41:00.005+02:00

27.APR (Di) Basel 10h10

> Malaga 12h45 (1.5h flight) / 16h00 (1.5h bus)

> Granada @ www.elnumero8.com

….........................................................................

28.APR (Mi) Granada @

* visit Alhambra

….........................................................................

29.APR (Do) Granada 16h30 (2.5h bus)

> Capileira 18h55 @ El Gato Negro

* Casa Ibero (Vegetarian Restaurant)

….........................................................................

30.APR (Fr) Capileira @

* La Alpujarra 。Hoya del Portillo 。Mulhacen (3450m)

….........................................................................

01.MAY (Sa) Capileira @

* La Alpujarra 。Barranco de Poqueira。Puente Molino (GR7)

….........................................................................

02.MAY (Su) Capileira (6h20 bus)

> Granada (8h25 bus arrive | 11h34 train dep)

> Dos Harmanas (14h13 arrive | 14h20 dep)

> Jerez de la Frontera (15h11 arrive train)

> Sanlucar de Barrameda (17h, 19h / 30 mins bus)

@ Case Medina Sidonia

….........................................................................

03.MAY (Mo) Sanlucar de Barrameda @

* Doñana National Park from Bajo de Guia along Guadilquivir River runs by Real Fernando

….........................................................................

04 MAY (Di) Sanlucar de Barrameda @

* and Manzanilla....

….........................................................................

05 MAY (Mi) Sanlucar

> El Puerto de Santa Maria (30 mins bus)

> Cadiz (15h30 / 20h15 Portillo bus)

> Malaga @ Hotel La Palma

….........................................................................

06 May (Do) Malaga (13h20 air)

> Basel 15h20

2009-10-12T21:17:00.002+02:00

cutter or waver?

2009-09-12T02:20:00.002+02:00

washed

2009-08-16T23:29:00.003+02:00

試圖不走沿著河的回頭路、拐給直角彎進往小鎮火車站方向的森林、綠色隧道涼爽極了、問夥伴：“有鹿嗎？你想？“沿途小巧的紫野蘭高一尺、我被埋在夏日裡。是鹿！小baby般只有20、30公分高、一、二、三隻、有三隻、它們是一窩的吧、大小一樣、精瘦淺咖啡色的優然、尖扇般的耳朵、眼睛像貓般黑、距離太遠、100公尺外我盯著小鹿、它們也盯著我看、我靜靜得沒挪步子、夥伴認真的告訴我、轉道、別靠近它們、為什麼？正觀察我的小鹿慢慢往我的方向嗅來、小鹿越靠近、夥伴越緊張、快走吧！別靠近它們！我從沒那麼近看過小鹿、怎麼也不想錯失靠近它們的機會、夥伴不動的堅持、我只好跟小鹿說byebye。不時還是聽著林裡的搔動。。。。。。。小鹿靠近你後、回到鹿群中、其它鹿聞到不熟悉帶有危險的味道、會排斥孤立小鹿。嗯～～～～～

這個月是 Werner Herzog 月、片單：(P站海可盜)

Even Dwarfs Started Small 1970
Fitzcarraldo 1982
Grizzly Man 2005 (this is mad! not sure of my feeling of watching it or not, but....)
Requiem For A Dying Planet
The Enigma of Kaspar Hauser
The Wild Blue Yonder 2005 (great soundtrack, love the mystray of reality of nothingness)
Fata Morgana
Where The Green Ants Dream 1984 (cults)

2009-08-03T01:06:00.000+02:00

design? digital business?

2009-08-02T18:16:00.005+02:00

Variations VII, John Cage, OCT16, 1966

>> Variations VII: 7 Statements re a Performance Six Years Before
>> DVD, reissued 2008
>> Source from Daniel Langlois Foundation
>> I want the audio only version, total lenght is 85 mins., 59 secs., digitally remastered by mentioned Foundation.

2009-07-18T15:57:00.001+02:00

櫻桃、老松、獅子在歐洲開口摒息。

2009-07-17T19:45:00.003+02:00

PIR : A Remixer's Manifesto

>>

why FLOS(S) + ART ?

2009-07-17T13:27:00.002+02:00

How to preserve "Deaf Culture"?

1. sigh language
2. maximal emotional experssion of semantic means.
3. when we live as "Deaf", a mock-up of visual interpretation

inspiried by documentary "Sound and Fury", 2000.

2009-07-14T11:36:00.001+02:00

精心策劃的收藏品早進了碎紙機

2009-07-14T11:34:00.000+02:00

繽紅化濃綠曠時度九月

2009-07-06T00:28:00.001+02:00

離開村子的前一天

夢見有人吞圖釘自殺

Free Zone of Island Hopping

2009-06-29T02:02:00.009+02:00

2009-06-17T17:17:00.007+02:00

Designing Sound (2008), Andy Farnell

2009-06-17T17:14:00.002+02:00

GMO

2009-06-13T23:25:00.011+02:00

The World According to Monsanto (2008)

GMO 基改三部曲看完後、好奇台灣對基改食品的態度、行政院衛生署基改食品宣導、我也只能搖搖頭、此篇Q&A只說那些惡魔商人會救窮人的笑話、政府層層把關的天方夜談、抓緊台灣島心眼沒肚大的心態、吃下肚(可能)沒事就好、60%的雨林消失種大豆與我無關、冷氣開足就好、專利種子變種繁殖殺光原種植物、擁有全球11000種子專利惡魔商人逼了多少人離鄉背景當難民、沒得吃飽的小孩全是被謀殺的、玉米大麥我吃不多、期貨偶爾玩、賺了錢吃刷刷鍋、頂極牛豬羊肉吃的飼料就是基改穀物、世界銀行大手筆RoundUP、借錢給低開發國家大量種植基改種子、不見血的綠色戰役、基改標示、台灣1%小case、沒什麼重要、島民不需知道。

其實、慢慢灌輸基改對人體無害的觀念、就好、我們也來學美國生物基改專利與非基改作物不分區市場那套、但、我們台灣要在地化、要朝基改漁獲的偉業錢進、派蝦兵蟹匠魚大帥反攻市場、歐洲人在非洲連水都可有專利市場化、人剩的不多了。

We Feed The World (2005)

the future of food (2008)

Making a Synthetic Cell

2009-06-12T16:55:00.005+02:00

Evolution of Scientific Knowledge - Lecture in Honor of Werner Arber
Lecture by Prof. Hamilton Smith, Nobel Laureate Medicine 1978:

Making a Synthetic Cell (audio recording,11 JUNE'09)

01 intro_Biozentrum_der_UniversitaetBasel
02 intro_by_WernerArber_to_HamiltonSmith
03 intro_by_WernerArber_urbanism_in_molecular_level1972
04 HamiltonSmith_Nobel1978_Making_a_Synthetic_Cell
05 HamiltonSmith_Nobel1978_YeastPlugs

Here we are, another year to relate to each other.

2008-12-20T23:41:00.000+01:00

animation

2008-11-12T22:14:00.003+01:00

---

Brilliant Noise from Semiconductor on Vimeo.

---

Elephants Dream from Blender Foundation on Vimeo.
---
http://www.blender.org/

2008-09-08T20:09:00.006+02:00

8 ●

心中不滿全吐了出來: 請，不要讓『烏脫幫』成為逃避的藉口，請，不要再濫用這個字眼了，你們這些自以為是的人們。/ hoodooing and saying all have been kept: Please, do not make "Utopia" an excuse of escaping. Please do not lavish this particular word; u people.

nice picture

2008-08-20T20:47:00.004+02:00

Beijing: Activists detained after lighting up "Free Tibet" LED Throwies banner near Olympics site from Students for a Free Tibet on Vimeo.

Co-founder of the Graffiti Research Lab , James Powderly, was detained in Beijing early this morning while preparing to debut a new work and technology of protest, the L.A.S.E.R. Stencil.

2008-08-18T23:51:00.002+02:00

>> HR.MD-7D 先生7天的顱內音樂日記

/ HeadRoomMusic Dirary of 7 Days >>

2008-05-16T19:24:00.007+02:00

7●

熟夏，天宮暴裂
/ broiling summer, place of recreation cracked.

{提醒自己} 一切境歸根於自相，一切智統攝於自證。 {因明學，自『正理藏論』節錄。}

Kunstmaschinen/Maschinenkunst

2008-03-16T23:51:00.006+01:00

我懂了!

2008-01-16T21:52:00.000+01:00

「生物多樣性公約」（The Convention on Biological Diversity, CBD）

由於體認到人類生存基本條件「自然界必須維持多樣化的生態體系、基因及物種」之重要性，且有別於華盛頓公約對少數瀕臨危機物種之關注，150個國家代表於 1992年6月5日在巴西里約「地球高峰會議」共同簽署「生物多樣性公約」（The Convention on Biological Diversity,簡稱CBD），將保護地球生物資源的範圍擴及至整個生態體系以及基因部分；1993年12月29日「生物多樣性公約」已正式生效。截至目前為止，共計有188個國家同意批准「生物多樣性公約」。

公約主要目的在推動並落實(1)保育生物多樣性；(2)永續利用其組成；(3)公平合理分享由於生物多樣性遺傳資源所產生的利益等三大目標。締約國大會（Meetings of the Conference of the Parties, 簡稱COP）為其最高決策機構，一切有關履行「生物多樣性公約」之重大決議都必須交由締約國大會來決定，目前一共召開過七次締約國大會，第八次締約國大會預計將於2006年5月8-19日在巴西舉行。

這個美麗事件的背後；方便了 genetic engineering (GE) & genetically modified organisms (GMO) 在市場上的流通與研究。但有多少人意識到，生態體系的改變與生存條件能一起保存下來嘛?醒醒吧! 該絕種的就讓它們絕種吧!!

友人送的畫 / a roll picture gifted of a friend

2008-01-06T20:17:00.001+01:00

CURATING IMMATERIALITY: THE WORK OF THE CURATOR IN THE AGE OF NETWORK SYSTEMS

2007-11-01T16:45:00.001+01:00

this book seems to give good insight for my doubts. Since i had many dinner discussions with all kind of "sound artist, new media artist, also net artist", often a common solution is blurred for integrating their practice to art space, or exhibiting space, the situation alike, if any art piece is out of the general capability of white cube, the coordinator and curator would not pay appreciation to the movement of immaterial labor, of course, it is also for artist to rethink the approach of interface design in physical world.. its good to forget about the form of "screen" sometimes...this book has a "very" interesting collective aspects ;')

clipped from www.data-browser.net

["noisy" sound, consisting of a complex sound spanning many frequencies... ]

2007-11-01T16:22:00.001+01:00

[quoted from page 5 ..] here addressed beautiful studies of sonagram of bird singing

clipped from www.thesinginglifeofbirds.com

with no hesitation, a book for me (in this winter) to rethink about time,,,

2007-10-29T00:20:00.001+01:00

clipped from www.sternbergpress.com

Daniel BirnbaumChronology

With a Special Project by Paul Chan

so, trying to explain myth? >"<

2007-10-28T23:57:00.004+01:00

rather then i would sit in the fire place and listen to tales (real myth;')) but now on seit 39, every sentences are incisively for a perfect parabola..

clipped from www.vdg-weimar.de

,,, books

2007-10-28T23:18:00.001+01:00

strange behaviors i have lately, again to read alot since i have a b/w laser printer, starting to print out online paper to read, on bus, on trains, at cafe, at festival, i am reading most of time, on net, offline~ but, i can't remember anything i read precisely, am i wasting knowledge? or has no pure knowledgeable coexisting that i am so hungry? specific theme cost 55 pond?!,~

clipped from www.springer.com

Evolutionary Computer Music

Miranda, Eduardo Reck; Biles, John Al (Eds.)

2007, XIV, 259 p. With CD-ROM., Softcover
ISBN: 978-1-84628-599-8

2007-10-20T19:26:00.000+02:00

6●
『淅瀝嘩啦，兔跳，豆腐腦，西瓜肚。』老大這麼走唱著，推開家門。

"sisilili, hawhawlala, rabbit jumps, brain tofu, belly of water mellon." boss is sining while walking, and open the house door.

recent listening, of thier borrowed atmosphere~

2007-10-11T18:52:00.001+02:00

clipped from www.fieldmuzick.net

Giesela - rot (5 tracks, 28:21) &&
marcus obst - trafic tonalité (1 track, 21:44)
frank rowenta - klänge siziliens (6 tracks, 19:34)

@ last.fm

:

2007-10-05T13:51:00.001+02:00

Pure Data (http://www.puredata.org/) as a feminist tool for meaningful learning

by elpueblodechina a.k.a. Alejandra Perez Nunez

http://artengine.ca/~catalogue-pd/10-Nunez.pdf

clipped from ljudmila.org

The nature of patching together with the need to understand the processes that are involved in sound processing that is offered by Pure Data is an example of a method where learning develops as a network of relations. It triggers dynamic systems of understanding instead of static contents that you have to learn through official instructional models like learning to use the interface of a software tool. These can be said of other programming environments as well but I understand Pure Data as a software and as a community of people sharing roles in learning and educating. I would like to propose that Pure Data is a tool for feminist education since it propagates a receptive model, one that is different from a paranoid model that relates to controlling a piece of given software. I see appropriation, networks of relations, the power of integration as a feminine way -not meaning a woman way- but a receptive, symbiotic action that may empower learning environments for the oppressed.

: :

2007-10-05T13:39:00.001+02:00

clipped from www.darcy.co.nz

Open Interactions: The Balance of Specification (PDF 532k)

This paper addresses interactive art within the context of participatory culture, mapping current developments towards more open and creative forms of interactivity labelled ‘open interactions’. The size of the elements within an artwork, the ‘interactive granularity’, is stated as key to the creation of open interactions. The metaphor of conversation is used to explore interactivity and suggest future research/practice directions. It is suggested that the potential for interactivity to propagate further creativity relies heavily on the balance of specification for both interactor and system. Furthermore it is stated that truly conversational interactions are inherently open-ended and can result in both positive and negative outcomes by whatever standard.

2007-09-26T20:49:00.000+02:00

5 ●

strings from Dr.Kismo on post

./e3444444444444444444er444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444444

according to

tautology (cheating is possible, not totalitarian : Luc Ferrari)

rule 1. object, silent, duration,

rule 2. random superimposition of cycle

rule 3. free to react to (or transform) the new pattern of meets during pointless repetition (not set of variation)

2007-07-16T14:41:00.001+02:00

4●

我們住在被公路包圍的家, /

we lived in a house surrounded by highway

2007-07-04T13:40:00.001+02:00

2007-06-26T11:14:00.000+02:00

2007.06.24

13h . palix and eva (64) introduced "moondog"

& walked alone canal near inner north of city, tried to sleep on gass ground and rain drops, ran to eat hair noodles, saw film "i don't want to sleep along"

2007,06.25

11h. read & listening about "moondog / Louis Hardin" & "piece of cropper" (yunnan new folk)
20h. "Heri Chopin / ORATORIO DE COPERNIC AND CO" @ La Guillotine
22h. Kasper T Toeplitz & Zbigniew Karkowski @ Les Voutes

2007-02-11T15:27:00.000+01:00

3●
並在家裡停放著海龜
and park turtle(s) at home

2006-11-17T02:51:00.000+01:00

2●

村民們的寵物是有著千眼, 綠色尾巴的紅老鼠

villagers all have a kind of pet, red rat with green tail and thousand eyes

2006-11-10T00:42:00.000+01:00

1●

曾經有個叫 "美麗城" 的地方

once upon a time, there is a place called "belleville"

2006-11-04T23:09:00.000+01:00

hz-journal

&
HOW-TO : magazine :

makezine .
craftzine
eurozine

XXXXXXXXXXXX.XXXX..XXXXX>>>XXXXXXX

tunng ;') great music video

2006-10-15T01:32:00.000+02:00

01.20-21 CONSCIOUSNESS AND QUANTUMCOMPUTERS @ New Gallery Lucerne; abstract.pdf, program.pdf

12.19 Stephan Micus (DE) /Mique Montanaro (FR) / Zad Moultaka (Lib.) @ Glaz'art / 7/15 avenue de la Porte de la Villette 75019 .. and...

12.16 /17h / Shujaat Khan (Sitar), Tejendra Majumdar (Sarod) & Subhankar Banerjee (Tabla) @ Theatre de la Ville

~ open recording

12.04 / 20h30 / Spectres transatlantiques /Ensemble FA @ IRCAM

12.01/17h30 / Mars release party @ L'Imprimerie 168
: Frédéric Nogray
::first set have these instruments of om bowl made of thick glass, beautiful sounding mill the circle of bubble,

: Denis Tricot + Eric Cordier
:: second set, the artist brough up 12 piece of long plank, thin enough to curve and long enough to reach out, he joint them to a longer plank, and make a live scuplture attached to the building's raw dimension, then he start to move with several bow that teller than 2m, another reform of live scuplture, music embrased fully metallic and humanistic but beautiful composition ~

: Jean-François Pauvros +Makoto Kawabata
::third set is when two deep guitar player meet, long drone n irregular, i enojoy also two glass of box red wine, didn't talk much, just observing and read on the metro back ;')

11.29 Toumani Diabate (kora) & his Symmetric Orchestra @ louvre ________________ ;') no recorder on my hand again, PA is so unprofessional, very bad amplified sounding by concert hell, but beautiful music, most playful drummers, and people start to dance on the stage, a solo of kora is the hightlight for this ease man's equilibrium to delight the joint of traditional and new instrument that possibly, forest grows..

11.28 /20h / tunng @ mains d'oeuvres )))))))) maybe i would go thier next concert, too tired by the long hour train

11.22 /17h/ Upgrading Humans – Technical Realities and New Morals /Kevin Warwick,Dept. of Cybernetics,University of Reading,UK @ open dork

11.18 /4h / LATENCE MANIFESTE - INFORMO
Install'actions en continu de 16h à 20h avec :
Martine ALTENBURGER violoncelle
Christophe CARDOEN images
Massimo CARROZZO clarinette
Yannick DAUBY et Olivier FERAUD installation sonore
Stéphane LEMPEREUR travail photographique
Thierry MADIOT trompes
Li-Ping TING action, installation @ Instants Chavires

interesting rediscovery, when entre to space, its plainly dark, i were glad to have eye rest for those overloading days and just listen to the music... while i were still trying to touch in finding site direction to closer to music, wan-shun called - she recongnised me in shape, i was suprised, i felt friendly to sit next to her,, the performace space was aesthetically designed to have all musicians in thier corner of listening to each others, the light man would illuminate subtlely and remotely by photography projection... ..... its a 4 hours concert, but i didn't stay to the end for thier John Cage piece, friend said it was nice too ;')

11.17 /21h / Toumast @ Satellit Cafe something has to be in the right mood to listen to, now i understood the reason why those two northern afraican men told me to come back tomorrow for the icey drink another, even tho the shop's door was wide open... that must something quiet important but trivial in general they were talking about,,, later.... (x)
the music,,, hmmm,,, some moments that familiar to me as strange mixture of taiwanese aboriginal pop and turns of "5-bai", the female voice is the flat skyline on horizon, i follow her voice to a far and clear firmness.. but i was thinking to return again to this district for some greek food...

11.12 /12h / inscape @ MAC.VAL x it should be an very interesting concert, but this sunday morning i decided to sleep a little bit longer --

2006-10-10T21:29:00.000+02:00

2006.10.11 小西園布袋戲 Hsaio Xi Yuan Puppet Play @ 參議院
第一次聽到北管 techno 穩的好聽除此之外金光閃閃腦袋空空隨著簡單的玩笑看布偶嘻嘻哈哈好官的一場戲

2006.10.08
Shivkumar Sharma (santour)
Zakir Hussain (tabla)
?? ( missing) @ theatre de la ville

________________ humble tabla player 'Zakir Hussain', he is the musician i wish to listen once in my life, quickly i realised there had no seat and i could only wait until the beginning of concert to hope if there has any invited guests didn't turn up, 16:55, a lady with 3 tickets on her hand approached, one of her friend didn't make it, seat "B22" that 10 euros? can't believe!! as letter "Z" is the last row as designed, and "B" would be so close to stage, this is wonderful, i could see clearly the expression of each beat on tabla, and the movements of coherent of left and right hand drum, after i sit down, light darken, three musicians walked out with soft colour they wore, ZH has no ornaments on him, he looked so much younger than i knew, sit down and started to turnning thier instrument, ZH's tabla sounds so complete and warm, then a short introduction to raga they were going to play this evening by SS (santour), those lines he spoke almost the same as i hear from rage cd recorded two decades earlier. okay, its improvisation and the composition is about love. call ---, but now i am in the real concert!! ZH and his drum was only about 4 meters away from where i sit, no heads or any visual obstacles, also, no md recorder in my hand >"<>

2006-10-05T00:48:00.000+02:00

no responding in art either understanding

she hates me because he loves me also, and my commentary? our safe love emerges, illusions are testing ocean by hearing the river, irregular forms shadowed my heart and yours. we love each other dearly.

2006-09-12T22:52:00.000+02:00

underconstruction -- www.little-object.com

2006-05-03T18:35:00.000+02:00

link : Here As The Centre Of The World : a trans national artistic research project

excrept 3z

2006-04-18T10:38:00.000+02:00

listening to jack ross
reading to sumeru三摩地

2006-04-07T19:54:00.000+02:00

0408 update : girls 'n guns 配樂 @ kunstvlaai in amsterdam . , it is complex and thoughfulness of its metephore about a group of girls in green, goodies, thank u lun the director --

0527 update : 舊金山未遂 SFX ; 配樂 @ 台北電影節

excrept 4b

2006-04-04T16:04:00.000+02:00

時輪曆精要

重者缺大缺者重小 15息為當下一分鐘 60宮月觀止文逆武曜

白話的胡說八道意思就是超過五小時的日食將治好所有色盲

excrept 1a

2006-04-03T17:40:00.000+02:00

疲於選擇的我還是沒法將 blog 當成日記般寫假設性的以為向日葵反映虛擬空間一切天真美好這裡什麼都可以說太陽大著哩

反過來換個面如果張三李四好朋友都來看看沉澱下一顆不知名的黑子在不知樣的時刻萌芽蹦出一句交談這時的咖啡特別好喝一方致力於台北文化現像的朋友建議應該由我這個上班族來說說學生們才會關心的事

(E61)註腳卡布其諾的堅持我是佩服你的對於純又好的烘焙豆可是喝卡布其諾所延伸出來舔掉湯匙或杯蓋上半融化的巧克力粉才是王道啊肉桂粉寧朦皮的主意是奧匈帝國愛甜食吧肉桂條才會放在盤沿還沒在溫暖的咖啡店裡喝過有肉桂粉的意大利巴黎阿姆斯特丹雪梨轉角的咖啡店都是灑上無糖的巧克力粉要不一定送上甜心小餅或巧克力不過你們的咖啡固然濃的好喝溫順剛好偏苦+ 又符合亞熱帶的重狠口味可是就是綿密的牛奶硬無法完全融在咖啡裡壞了精心設計的比例問題那一層牛奶開的雲曇喝了最後一口還開在杯底視覺上是驚喜的如花瓣的心型漸軟化下次有機會再去喝會記得要加兩匙糖也不會笨的像遠離水塘過久的犀牛看到好咖啡就要求"我要灑上很多很多的巧克力粉"

update : 配樂在奧地利影片展 diagonale in graz . hotel paradisco, thank u judith the director

2006-03-01T14:31:00.000+01:00

2006-02-24T18:53:00.000+01:00

podcast

2006-02-20T06:08:00.000+01:00

˙vul3jp6 live @ AAF krakow, winterthur '04
˙om_on_the_bowl @ I-Lan AudioScape:Ear of Grain '06

2006-01-09T22:14:00.000+01:00

樂生人權&生態

2006-01-02T16:44:00.000+01:00

去年中第一次在破報上看到有關樂生的事件，開始好奇這印象中上世紀的痲瘋病怎麼還存在台北這無線網路城市? 在一顆大樹下的音樂會? 與台灣人權的關係? 又過了半年，瑞士友人告訴我; human right is a western word. You east has no human rights。當下有被汙辱的感覺，嘴硬的回答 – human right is English word, of course。樂生處於新莊與迴龍邊緣的一片山坡林地，多數建築始於1930 年日本時期至 1940 年左右光復初期，中式建築風格文雅, 上個月文建會通過暫定古蹟以保6個月，有待台北縣與桃園縣另組古蹟調查隊確定，捷運局與媒體咬住新莊線轉運機房無法動工延宕18個月總工程期，怠忽變通方案的研究與第一步生態考量。再次突顯台灣重大工程的短視。(想想雪山隧道切斷水源的例子) OUCH!

鏟山拔樹容易，保留土地結構與綠地很難? 在自然森林中，大樹自將老去而倒下，新的樹苗便依附老樹而生。早期從台灣各地移至樂生強行隔離，過了大半輩子的院民將會凋零，樂生是他們的家，他們將為後代蘊育的不止是台灣人權的確立，也是一片13 公頃的自然好山水。

q.13公頃有多大?
1坪=0.3025平方公尺
1000平方公尺=1公畝
1000公畝=1公頃

臺灣總面積 = 360萬公頃

2005-12-25T18:56:00.000+01:00

goodnite02.ogg.16mb.5mins
misty comfort.ogg.5mb.5:58/span>
millstone.ogg.21.7mb.11mins
asiendinn.ogg.14mb.5:26

2005-12-23T19:30:00.000+01:00

nunu (b.1994.04.13, d.2006.12.22)

hyper-curve

2005-12-20T16:53:00.000+01:00

no longer i have stress to build this project, didn't get it found,(anyway, they didn't get the mean for, kept asking irrelevant or opposite questions) but now morelikely a research side by side. it would be interesting to hear the sound field of 4 seasons changs/respond according to chinese Sexagenary cycle

1. finding thin membranes for sound energy absorbing

[ high band 2k+ : low band 120hz-]

2. sensor box - distance deteching

[ultrasonic, magnetical & Hall effect, or camera]

3. curve mapping units/objects

2005-12-14T17:57:00.000+01:00

- trused computing -

animation by lakfon

FSF talks @ piksel05

ali momeni

2005-12-13T19:52:00.000+01:00

Dynamic Autonomous Mapping Layers for Concurrent Control of Audio and Video Synthesis

2005-12-10T17:24:00.000+01:00

人山人海

2005-12-09T22:05:00.000+01:00

original bk pix from Kuepper's colour theory

2005-12-08T19:32:00.000+01:00

water babies by Charles Kingsley

lucky me found an copy with colour illustrations @ second hand book store few years ago, there are notes that i know this book was belonging to a birthday child, when i opened the pages, there are all shapes of leaves enclosed, ;')

106

2005-10-09T17:56:00.000+02:00

109

2005-10-09T17:50:00.000+02:00

104

2005-10-09T17:47:00.000+02:00

103

2005-10-09T17:26:00.000+02:00

102

2005-10-02T10:02:00.000+02:00

another typhoon day :
http://homepage19.seed.net.tw/web@3/tdbsnews/tdbtc/air.htm

Pure intervals are pure for a physical reason ; symmetry & harmonics

930 & interval

2005-10-02T09:57:00.000+02:00

927

2005-09-27T14:18:00.000+02:00

924.cloud study

2005-09-24T13:32:00.000+02:00

2005-09-22T13:09:00.000+02:00

18w soundscape@yang-ming-shan 陽明書院;http://www.ymsnp.gov.tw/web/view_20year.aspx

2005-05-25T18:26:00.000+02:00

或許會帶著鼓去找他們玩其實寫完後我莫名其妙的去了熊本的space children gathering 百姓牧場露營了四天好多小朋友跟kami-san~ 才知道日本嬉皮文化的可愛~ 有一群南九州島的漁人~在各個小島間穿梭~養了一群狗~帶頭的兩隻黑白花, 一隻叫 one, 另一隻叫love, 早上起來對著太陽練瑜伽, 老師是住在京都的澳洲人, 白日的時候鼓聲替代著不息的營火, 人們像花朵般跳舞, 我們用泛音口哨交朋友下大雨就窩在箱車裡吹口哨打鼓餓的沒辦法只好猜拳決定誰去偷飛魚乾 one-love 的大叔找來好多竹子鋸開當酒杯直徑超過10公分的一個可以賣500日元喔不過多以物易物例如冰棒或一本書我們還發明將兩個可以吻合的竹子對合的其中一邊的底部鑽個小洞就是 pin-hole camera, >[pin.ogg] 就是這樣的 ;')

2005-05-22T15:07:00.000+02:00

http://andrew-duke.com/listen.html

http://jetseditions.online.fr/liens.html

http://www.archive.org/audio/audio-details-db.php?collectionid=A_Basement_Of_Broken_Dreams&collection=opensource
_audio

2005-05-14T16:00:00.000+02:00

video parasiten

2005-02-12T04:45:00.000+01:00

_ transmediale 05

http://secretsounds.dk/nada/

與 ambiunix 系統合作

~ 終於聽到這樣的作品

yoho :D:D

節錄兩個星期下來有趣作品

runMotherFuckerRun! [NL]
spatial sound (100db at 100km/h) [NL]
stationsraum fur assimilativen zahlwitz [DE]
fijuu [AU/NZ]
semiconductor [UK]
die welt ist alles, was der fall ist [DE]
gravity and resistance [JP]
water clock as part of lecture by Gunalan Nadarajan [SG]
chessmachine [RU/US]
resonancity [NL]
a pragmatic of links [ES]
mother media [AU]
bitcrusher [AT]
blot out the sun [US]
eating grass [UK]
klipper [DE]
the persistent but irregular [AT]
superslient [NO]
hidur gudnadottir [IS]

community

www.c-base.org
www.dorkbot.org
www.t0.or.at

2005-01-30T04:24:00.000+01:00

*pdf ;'))))))!

in relation to subject : morphing soundings

2005-01-29T00:31:00.000+01:00

autonomedia
Jemery Narby : Intelligence in Nature
Paul Virilio : interview
The Roland Collection of Fim and Video on Art

2005-01-29T00:17:00.000+01:00

(轉貼歡迎但請註明出處)

Interview of Polish musicians in
phrase.
三位波蘭音樂家談電子音樂圖像

In order to perceived a synoptic effect of mind concern on subject of
“Electronic Music Patten”, I had choose specific questions in addressing of
contemporary media art and the relationship to “Sound Art” which often discussed
as continuer.
有關電子音樂圖像與當代藝術的關係，或多或少都曾被討論著，一個概要的觀點出發，試著與聲音藝術家和他們生活層面的連結尋線，採樣文字片段，訪談的敘述多以第一人稱為主。

__ Polish Sound Artist
//受訪波蘭聲音藝術家________________________________________
Marek Choloniewski,
?ukaz Andrzej Szalankiewicz & Michal Liberak

__ interview and
translated by PEI ____________15.01.2005
______________________________訪問&翻譯者:劉佩雯

// what inspiration to your sound
sculpture, is that the tone martial or reality?
//
你作品靈感的來源是現實亦或聲音素材?

// film, picture & music are the cotemporary
culture which are more likely to present often then tone, in your sense? How do
you get to the idea on working on such martial?
//
比起聲音素材，當代文化中的電影、圖像及音樂的表現是比較多元化的，你的想法呢? 你如何開始著手以這樣的素材創作?

// is that
difficult to work as sound artist/musician?
// 做為一位聲音藝術家困難嘛?

[]

..I'm inspired by many different resources for a long time so
opening to all surroundings is one of the deal working with all media available
is another one. I don't specify the difference between reality and the art. It
depends on the very personal decisions of the artist following Marcel Duchamp,
the artist determines the boundary between reality and the art, so putting the
label to the extracted, framed fragment of the reality is enough to create the
piece of art.
..
許許多多的環境變數與不同面向的資源(訊息)，如何與這些不斷變動的環境因子互動，都是我創作靈光的來源。並不特別去區分現實與藝術間的差異，個人決定性的因素可以回溯到早期Marcel
Duchamp的概念。藝術家確立現實與藝術間的臨界點，從某個範圍中分析後，貼上標籤，能夠架框住現實中的片羽，就已經足夠稱為一件藝術品了。
..my
friend Dan Senn from Tacoma found the open field in the forest with quite
unnatural, sophisticated acoustic reflections, so he put the sticker with his
name and the title: Sound Forest, it was enough to change the function of the
place by labeling it, finding a unique, simple solution is the specific
combination between technology existing in the most natural, but also discrete,
hidden way and ideas, concepts with more complex structures, so joining film,
picture & music, but also philosophy, literature, science: anthropology,
biology, kinetics, optics, basic visual phenomena is one of the choice for my
art projects.
..我的一位朋友 - Dan Senn
[www.newsense-intermedium.com]，在華盛頓塔可馬港市不遠的森林處，他找到一片空地、開放式的，有著相當奇特的聽覺回響，不太像自然環境中存有的精緻聲響空間。於是他將其錄音貼了貼紙，標題為
[音響森林]。對於改變一個環境的地方功能性，加個標籤就可以說的很明白了，借於解釋存在自然中的科技組合，一個特殊?又簡單的方法，唯物與人文之非連續的連繫，隱喻的想法及概念，複雜的結構組合，所以在我的作品中有關影片、影像、音樂的結合，同時也選擇含蘊了哲學、文學、科學、人類學、生物學、動力學、光學、視覺現象。
..I'm living with the special balance between activity and observation,
sending and receiving in the same time, observing relation between different
mobile elements, checking all processes which surround me every time, so
surrounding is one of many potential, one of my basic idea is global illusion of
something, which doesn't exist, which appears only as a reflection of another
illusion.
..生活中的平衡點在介於行動與觀察間有著相當特別同步關係，同時接收也傳送，觀察著各個移動物件間的關係，無時無刻的檢驗著環繞在我四周的過程作用，四周的環境是潛在因素的其中一部份，某樣東西(它)的全球幻象一直是我作品中的基本想法，它並不真的存在，它的出現只能從另一個幻象反射顯現。
..All "realities" around are just potentially existing codes, substitutes,
equivalent of another potential. All those extensions, compressions,
accelerations and reductions are the most important elements in my audiovisual
projects. My Natural Plastic Duo (together with Amy Knoles from Los Angeles)
dedicated its art ideas to those elements.
..四周所有的 [真實]
都只是潛伏已久的複數編碼，[存在]的替代物，並與另一個潛在的因素相等。它們的擴張、壓縮、加速或簡約才是在我聲化作品中重要的部份，我與洛杉磯藝術家 Amy
Knoles [www.amyknoles.com] 所組成的 [自然塑料二人組 : Natural Plastic Duo] 就見以這些元素為主要藝術概念。
// artist‘s short bio ..MAREK CHO?ONIEWSKI (born 1953, in Cracow), studied
organ (with L.Werner), theory of music and composition (with B.Schaeffer) at the
Cracow Academy of Music, where since 1976, has been employed on the faculty of
the Electro-acoustic Music Studio. In 1986, he founded his own annual
International Concert Series called Audio Art which presented the most important
artists and achievements in "sound art" from all over the world. A world renown
lecturer, composer, "live computer music" performer, and author of audio-visual
computer projects. In-between 1993 – 1999 he was an artistic director of the
International Academy for New Composition and Audio Art in Schwaz (Austria).
Since 2000 he is director of the Electro-acoustic Music Studio at the Cracow
Academy of Music.
// 藝術家簡介..馬瑞克恰隆尼斯基(b.1953)，波蘭克拉克市音樂學院電腦音樂教授，主要作品為 -
MAX/MSP聲音藝術，程式互動音樂，裝置概念藝術。70年代起致力於現代音樂與電腦音樂。大學時期學習管風琴與作曲，師事
L.Werner&B.Schaeffer。從80年代起成立各形各色的管弦樂團體與行動概念藝術作品。自1986年起，主辦克拉克市 AudioArt
Festival 聲音表演藝術展，邀請全球重要聲音藝術家的參與，也任受任於奧地利、德國、亞洲等地的聲音藝術工作坊策畫人，以及科技新媒體作品的計畫。
Marek
Choloniewski
http://www.studiomch.art.pl/
http://www.muzykacentrum.krakow.pl/
www.cyf-kr.edu.pl/~zbcholon/mch/mainframes.html

[]

..I am interested in cooperation on an
international level, that's why I want to become part of many actions. Just
believe that exchanging cultural and life experience can add to both sides
benefit. It's extremely important that cooperation take place in time and space
convenient for everyone involved. In convenient circumstances something really
interesting may be created.
..對我而言，參與許多國際化的行動，與來自不同文化背景的聲音藝術家合作是比較有趣。我相信交換文化與生活經驗能夠加深雙方的社會價值觀。在時間與空間的領域中，每位參與者如何輕鬆的一起面對共同的合作態度，是非常重要的。在輕鬆的環境下，真正有趣的事會發生。
..I do not come up with any phony ideology connected with my creations.
Music is my passion, it fulfill my need to create. Ideology? Everything is
ideology. Rather not easy to work as sound artist/musician.
..我的音樂創作中，從來不與哄騙的意識形態連結，音樂是我的熱情，我需要創作。概念?
任何事物都可以是一個概念，但做為一位聲音藝術家/音樂創作者可真不是一件簡單的事。
// artist‘s short bio ?ukaz Andrzej
Szalankiewicz a.k.a Zenial, a sound-designer, a digital music composer and
writer. My family place is Sanok, and now I reside in Krakow... Co-founder of
demo-scene on PC (the hermetic group of artists creating on computers with a
different kind of expression: programming [coding], graphic art, animation,
music and text). And in 1998, Palsecam is an audio-visual project aiming at the
interaction with public. I created pieces with some message in it as well as
there may not. It is entirely up to the listener/recipient how to interpret
these works.
// 藝術家簡介又名
Zenial，聲音設計與數位音樂創作者。我家人來自杉諾克，但我目前住在克拉克市，波蘭藝術團體demo-scene on PC
的創始人之一，我們以電腦為主要創作工具，如煉金術般的電腦程式設計、圖版畫作、動畫、音樂、文字等。Palsecam
成立於1998年，以聲化視覺為主要媒介，公共互動溝通的計劃。創作品中的某些訊息可能也不代表任何意義，這完全要靠聽者/接收者自身的詮釋。

Lukaz Andrzej Szalankiewicz
http://www.zenial.vivo.pl/
http://www.palsecam.tk/
http://nomad.kosmoplovci.net/

[]

[]

..Reality affects us every imaginable way. It moderates our mood as
well as financial status. Reality bites. Reality is what we make of it. When
making music I am focused on my satisfaction, inspiration and intention. I
choose whatever fits my needs in order to express myself, then I take it and
transform it into components of desired effect. In the same sense as a painter
preparing pigments and building canvas himself. Setting own rules every time
anew. In my case this desired effect takes form of beat-oriented patterns or
droning clouds of dense sounds ;) The film, picture and music are likely to
occur together nowadays, provided that sufficient technology is at hand. I was
told once that few % of world's population has access to the internet, so this
"multimedial revolution" isn't something as big as we are told - by media - to
think it is) have the access to hardware, software and the now-how to create
audio and video- artefacts on their own, at their homes. Every one of them has a
possibility to try and use his/her personal computer make a sound or create a
series of moving pictures, a possibility to express oneself other way than
through hard work, family life or contestation of the status quo.
..真實影響著我們可想像的空間，它不但調節著我們的心情還有經濟狀況。現實片段，其實都是我們做出來的，當我在創作音樂時，靈感，意向，是表達自主中心的需求，找到適合自己的方式，轉換成想要的效果元組件，跟畫畫一樣，先找到合適的顏色再開始創作版面，每次都是一個新的規則，我自己偏愛節拍或濃厚低鳴雲態聲響。目前的藝術形態
-
電影、圖像或音樂多是同步發生，這當然指特定的技術層面的允許之下。曾經有人跟我說這世界上只有極小百分比的人與網際網路相連結，所以多媒介的影響不如媒體宣染來的誇張，簡單的說，只是現下有較多的人運用個人電腦在家創作一些聲音或流動的影像，舒發工作壓力，話家常，說說生活或對事物的論點吧。
..music pattern: pattern is magic, pattern recognition machines is what we
are and working with patterns seems to serve our evolution well. When making
music I am producing just 50% of the end product. And remaining 50 % I demand
from curious listener. And I think it is a fair deal. I try to offer patterns
that are unique, not so easy to perceive.
..音樂圖象:
圖象是魔法，人們的進化建立於圖象解讀，我的音樂圖象有50%的完整度，另外50%是由聽者的好奇心來詮釋，這蠻公平的吧！我所傳送的圖象是很獨特的，並不是那麼容易被接收，被理解的。..In
the geographic area where is virtually no awareness of sound among the people?
Yes, it is bloody difficult. In financial terms, and in cultural terms as well.
Common sense of audio environment is dragged down by mediocrity of mainstream
demand and/or by induced, selective dumbness or stupidity of average "culture
consumer". There is next to zero promotion of sound-art unless it is backed up
by some babylonian events or big business. Things are going to change slowly. I
think this is the matter of gentle propagation, not marketing-oriented education
of consumers. Poland is a very tired country, tired of wars, of communism, of
politicians, of New World Order, of cultural, emotional and intellectual
poverty. Or it is just me? I can't tell... And the country is hungry for fresh
elements. It's hard to say whether shall we degenerate further or wake up and
regenerate. From the third side of the coin there is nothing to be worried
about. The harsher conditions = the more lively fruits.
..身處於多數人們對於聲音認知近乎於零的地表上？是的!身為一位聲音創作者在大經濟文化的族群認同關係真是有夠複雜。因為大眾聲態環境的需求面被一些無可厚非的俗事誘導，所謂的文化消費群眾只能接觸巴比隆人babylonian
(在此為主導罪惡城市的隱喻)或大型商業團體所興風作浪的事件。事情逐漸的在改變中，我想這是需要慢慢培養的，絕不是市場導向的教育體系引誘消費者就可以的。波蘭已經是個疲累的國家了，戰亂，共產主義，政治家，新世界倫理，文化，情緒和淺薄的知識份子等一切，或許還是只有我？我不能說個明白…這個國家需要些新鮮的刺激，改革或平頓間的平衡點很難取決於是否這兩個面向間的第三延伸，其實是沒什麼好真正擔心的，越困難的狀況通常也代表著更豐富的思考生活。
// artist's short bioI live my life with my wife, my family and my friends.
I make music at my home studio that we call Olivahouse, also I am playing live
electronics sets, collaborating with likeminded people. Regarding long-term
plans: I am about to register non-profit art-organization to promote our
creative output on the field of audio, video, graffiti, sculpture, architecture,
design, programming... there's a group of skilled people around:-) hopefully
soon we will emerge;')
everything is dismantled and in pieces.nigredo is
necessary alchemical phase.order will emerge from chaos soon.
Asking about
my "professional life"?Due to harsh living environment where everybody must put
some effort in order to survive (you know, it's cold and windy here;)) I am not
making music for commercial purposes, because I wouldn't earn a single grosz
(although I will accept with a big smile every single payment due to my audio
activity;)) To live on I am working for an IT company producing quality
educational software. I am graphic designer, Photoshop, Flash, etc. My past
professional experiences also include few funny years of work as a consultant in
a head-hunters company (human resources management and recruitment).
//
藝術家簡介我的生活和老婆、家人、朋友連繫在一起。家裡有個小工作室，我們稱它為 [橄欖屋 Olivahouse]
，玩現場演奏，和想法類同的朋友一起合作不同的計劃，長期的想法是希望能在這形成一個非營利的藝術網絡，將有創作力作品組合起來。

大多數的事都片解開了 ::: everything is
dismantled and in pieces.
點石成金 ::: nigredo is
necessary alchemical phase.
秩序會由混沌中釋出 ::: order
will emerge from chaos soon.

有關我的專業？生活環境的困苦，每個人都須為了生存努力，(這風大又冷;))
我不做商業音樂，因為也賺不到甚麼錢，(但任何聲音活動的回饋，我將報以一個很大的微笑;))
我的正職工作是多媒體工程師，製作科學教育軟體，也曾經做過幾年頭類似104網站人力搜索的管理工作。
Michal Liberak.
http://mkl.z0s.net
http://olivahouse.z0s.net

2004-12-17T16:40:00.000+01:00

if u are also into landscape like me, here are few mugs and exhibitons thru walking research

http://www.our-magazine.ch/
http://www.rebelart.net
http://www.documenta-natura.ch
http://www.hetlandschapvanwelbehagen.nl/eng.htm
http://www.checkmyish.com/
http://olivahouse.z0s.net/

2004-09-23T19:19:00.000+02:00

sound note :,

台北市正像一個通過催化劑的無性生殖個體夜市裡未了生活而大聲叫賣活生生的脫口秀是精彩的未必是用放大鏡看著一口氣以為這是和平現象

2004-07-26T19:32:00.000+02:00

-the book of law-

a friend send me this amusing && enjoyable red book

2004-07-26T19:23:00.000+02:00

a friend send me this amusing && enjoyable red book

2004-07-02T20:03:00.000+02:00

automation reforming = artificial respond

借由松鼠褪黑激線在近冬時高量分泌觸發儲藏堅果換皮毛一例說明了自動大腦與生命周期間的關聯與經由衍換的行為達到過程的行為人類在高度擴散智能行為周期的反應有"性"為最明顯的保留個人化的生活周期是可能經由數位向的導引思維自組衍換行為初期的人工智慧多由量化的資料庫[database]為範圍輸入重組可能性的反應變化來幫助人類處理密度重覆高細節的工作是可能輕鬆多了但那不是人工智慧字面上的意思只能單純的解釋為"人工反應"

//

2004-07-02T19:58:00.000+02:00

an aesthetic distant in such what field condition feel to collective reasoning, more a direct realisation connected or not connected.

/（就以往的實驗經驗判斷，主觀條件的影響否定了"感知"與"注意"為同一條水平線．除此之外，"失眠症"的實驗中提供另一例子，受觀者在視界空間中監視特定一空白空間的能力，導致對某特定空間的洞察 (detection) 更為敏銳及迅速．失眠的後遺作用雖導向 lower detection 或對目標較敏捷的感知作用，但如果過程中沒有事件發生，便無應對的感知效應．換句話說，某人可在無實際的感知作用下產生警戒此意喻感知與注意是完全不同的認知過程，警戒可能發生，但感知不是必須，某人可以保持警戒態度．）　翻譯著玩的

2004-06-26T19:21:00.000+02:00

syzygy

2003-10-06T02:16:00.000+02:00

go)sh